Pro tips: Check out the ball room which often has lots of characters interacting. Other moments where you may see just one or two acting. There are moments where many of the performers gather and dance and perform. But you really will want to bet back into it. You are always allowed to return to the main lounge area (where you were sorted) so you can enjoy a drink, a little relaxation and a mask-free moment. They mostly ignore you as they interact with other actors but sometimes they lead you into the experience or even into a private room! You are not supposed to talk and you have to wear a mask whenever you are in the performance are. You’ll spot performers in costume and you can observe or follow them. It is primarily based on William Shakespeare's Macbeth, with inspiration also taken from noir films, as well as some reference to the 1697 Paisley witch trials. You arrive and are sorted into a small group and led deep into the multistory building - the McKittrick Hotel - where you are let loose to experience the performance. Awards: 2007 Connecticut Critics Circle Award ( No Exit, Hartford Stage), 2001 Elliot Norton Award ( Mother Courage and Her Children, A.R.T.), seven Independent Reviewers of New England Award nominations.The show was supposed to be short lived but became super popular and has spawned other entertainment options related to the show at the same venue. Dance soundscapes include works for Concord Academy Dance, Snappy Dance Theater Company, and Lorraine Chapman. Y), Our Town (Boston Theatre Works), Far East (Vineyard Playhouse), Only You (Efron Entertainment). Other credits include Farragut North and Yankee Tavern (Contemporary American Theater Festival), The Merchant of Venice (Actor’s Shakespeare Project), Ah, Wilderness! (CenterStage Baltimore), The Diary of Anne Frank (New Rep), The Scottish Play (La Jolla Playhouse), Leap (Cincinnati Playhouse in the Park), Daughter of Venus, Action Jesus and Dressed Up! Wigged Out! (Boston Playwrights’ Theatre), Sideways Stories from Wayside School, All of a Kind Family and The Fabulous Invalid (Emerson Stage), Samson Agonistes (92nd St. He has also toured regionally and internationally with the A.R.T. Sound designs by David Remedios have been heard in Sexual Perversity in Chicago/The Duck Variations, Romance, Trojan Barbie, Endgame, The Seagull, The Communist Dracula Pageant, Let Me Down Easy, When It’s Hot It’s Cole, Cardenio, Julius Caesar, Copenhagen, Donnie Darko, A Marvelous Party, No Man's Land, Oliver Twist, Britannicus, The Onion Cellar, The Island of Slaves, Orpheus X, Romeo and Juliet, No Exit, Three Sisters (2005), The Keening, Amerika, Olly's Prison, Desire Under the Elms, Dido Queen of Carthage, The Provok'd Wife (original music and sound), The Miser, A Midsummer Night's Dream (2003), Snow in June, Lady with a Lapdog, The Sound of a Voice, Pericles, Highway Ulysses, Uncle Vanya, Lysistrata, Absolution, Marat/Sade, Stone Cold Dead Serious, Enrico IV, Othello, Animals and Plants, The Doctor's Dilemma, Mother Courage and Her Children, Three Farces and a Funeral, Antigone, Nocturne, How I Learned to Drive, and Man and Superman. Borger has a Master of Arts in Theater from The Ohio State University. Previously Borger spent thirteen years as Deputy Head of the National Theatre Studio of Great Britain, where she oversaw the readings, workshops and classes for some of the most prominent playwrights, actors and directors in the United Kingdom. Prior to A.R.T., Borger spent over a decade as General Manager at the Royal Court Theatre in London, where she produced more than one hundred and fifty productions, including The Seagull, Rock ’n’ Roll, The Weir, Jerusalem, A Number, and My Name is Rachel Corrie, which transferred to New York. a home for emerging and established artists to take risks and create and incubate new work. Diane Borger joined the American Repertory Theater in the fall of 2009 as the Executive Producer for Sleep No More, and took on the full-time position of Producer for the A.R.T in January 2010 where she partnered with Terrie and Bradley Bloom Artistic Director Diane Paulus to make A.R.T.
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